Find a summary of this and each chapter of Don Juan! Being a wealthy young man, Don Juan travels with an impressive entourage, which includes a personal valet named Pedro and a tutor named Pedrillo. There is no indication that he is in the slightest concerned with the possible disastrous effects of his new love, just as he had not concerned himself with the consequences of his first love. The lot falls on Pedrillo, Juan's tutor, who is thereupon bled to death. To Byron, caught up in the cause of Greek political independence and seeking some foundation in the classical world he loved so dearly, Elgin became the face of despoliation and a regular target of Byron’s poetic, prose, and verbal attacks. Upon initial publication in 1819, cantos I and II were criticised … He ties this personal tragedy to the more universal tragedy of Greece’s lost glory in order to add poignancy to the desecration of Greek history, even as he elevates the loss of his former schoolmate to the level of grand tragedy by coupling it with the ruins of Greek temples. Finding themselves in an occasion of sin, they had yielded to nature seemingly without a struggle. As genre literature, Don Juan is an epic poem, written in ottava rima and presented in sixteen cantos. Again, Harold is the point-of-view character but seldom becomes involved in the actual events of the story except to reflect on them. He asks in stanza 14 when some new Greek hero will arise to defend Greece’s borders from invaders and vandals, but he sees no hope of such rescue in the near future and thus curses those who steal the ancient treasures from Greece. Then they eat their leather caps and their shoes. Don Juan is a long narrative poem by Byron, based very loosely on the legend of the evil seducer, Don Juan. No doubt Byron feels that she is more entitled to our sympathy because she did not manipulate her conscience as Donna Julia had; she did not try to convince herself that her course of conduct was other than what it was. Don Juan” is a long comic-epic poem written in “ottava rima” (a 8 line rhrymed-stanza). The narrative resumes in stanza 73 with Childe Harold again in Greece, focusing on Greek independence from Turkey (and from other European marauders). When amatory poets sing their loves In liquid lines mellifluously bland, And pair their rhymes as Venus yokes her doves, They little think what mischief is in hand; Byron's poem is autobiographical. He sees the beauty of Albania’s landscape and, while unmoved by bloody battle (stanza 40), he finds himself strangely touched by the sight of the peak where legend holds the poet Sappho to have cast herself to her death for want of an unrequited love (stanza 41). Byron's chief source for his materials in this episode was a collection of shipwreck accounts, by men who had been involved in the incidents, edited by Sir J. G. Dalyell in 1812, entitled Shipwrecks and Disasters at Sea, but he used other accounts too, including Captain Bligh's account of the mutiny on the Bounty. During these walks their love for each other deepens. Don Juan (Canto 5) Lyrics. Lambro has decided to sell him as a slave since that's what Lambro is good at. Her favorite science is mathematics. Byron even includes a parallel description of Turkish women, who—in contrast to the brave Spanish females—are docile and content in their roles as mothers and home makers (stanza 61). Robert Southey, the poet laureate, made him the leader of the Satanic school of poetry. The two boats have hardly been lowered, when the ship sinks, carrying with it almost two hundred men. What we miss in all this is compassion for poor, miserable mankind, and Byron's occasional facetiousness is out of place and angered the reviewers. 193.). Dressed as an odalisque, he is smuggled into the Sultan's harem for a steamy assignation. When Juan regains consciousness, the first object he sees is a lovely female face peering into his. Chapter Summary for Lord Byron's Don Juan, part 4 summary. These papers were written primarily by students and provide critical analysis of poetry by Lord Byron. In stanzas 54-66, Childe Harold disembarks and spends time among the Albanians, particularly enjoying the camaraderie and revels of the fighting men gathered around the bandit warlord Ali Pacha. The dozen stanzas describing Harold’s sailing through the Mediterranean vaguely parallel Odysseus’ journey sailing through the area in epic myth. and any corresponding bookmarks? Byron explains her conduct by saying that she forgot her Christian principles in a crisis of love: And Haidée, being devout as well as fair,Had, doubtless, heard about the Stygian river,And Hell and Purgatory — but forgotJust in the very crisis she should not.(St. Sheesh, Byron. Juan remains pretty much unchanged; he has learned nothing from experience. Stanzas 77-83 reflect on the state of Greece as an occupied land full of ancient legacies which are being exploited or destroyed by outsiders. Don Juan (Canto 1) Lord Byron. After Juan has stayed in the cave for a month, Lambro's fleet puts out to sea and Juan is able to leave his hideout and take daily walks with Haidée, in the meantime improving his Greek. He provides no suggestive details, and in Canto III he shows how the wages of sin is death for Haidée and serious injury for Juan. Stanzas 34 and 35 continue this theme by declaring that the sorrows of love are not worth the debasement a man must undergo to find it. The first and second of (eventually) seventeen Cantos composed during Byron's self-imposed exile from England appeared, anonymously, in July 1819 and were greeted with scandal, condemnation, admiration and hilarity. Sarah Lembo Mr. Chirico AP Lit February 3, 2010 Don Juan – Canto I and II From reading Canto I and Canto II, I think the story will head in the direction of Juan and Haidee’s lives. Stanza 36 returns to Harold’s journey, now entering Albania (stanzas 37 ff.). He analyzes Julia's conduct with amused irony because she was a product of a sophisticated Christian society, and married besides. Don José has no love for learning or the … Much of Canto II explains the beginning of their love for each other and how they discovered one another. The shipwreck scenes are vivid and unforgettable, with something of the realism of the eighteenth-century novelist Tobias Smollett about them in addition to a seasoning of Byronic irony. His suite consists of three servants and a tutor. from your Reading List will also remove any Album Don Juan. They have decided that one of their number should be sacrificed for food. The author employs a classical language and style. The crew immediately cut away the masts and the ship rights itself. Don Juan (Canto 1) Lord Byron. A reviewer was quick to point out Byron's indebtedness. When Byron learned of her “unfaithfulness” with yet another man, he broke off the relationship, paradoxically injured by the infidelity of his married lover. Don Juan is actually a rather flat characterhe is young, of a sweet disposition, and simultaneously innocent and promiscuous. Lord Byron’s Don Juan is a satiric poem inspired by the legendary story of Don Juan, the famous womanizer. Stanza 16 returns to Childe Harold. When they have been seven days in the longboat and no breeze has blown for four days, one of them whispers to his companion and the whisper goes from him to another and so all through the boat. Removing #book# Harold’s visit to Greece again declares the wonders and majesty of Greece’s past while decrying her current desolation. Harold’s stand against Florence’s charms in stanza 33 point to a man learning the dangers of love and seeking not to be captured by another’s beauty. In such circumstances principle and reason are apt to vanish. The name of one is Haidée; the other, Zoe, is Haidée's maid. Canto I. After they have rubbed his cold limbs and covered him with a cape, they shelter him in a nearby cave. The author begins by saying that since his own age cannot supply a suitable hero for his poem, he will use an old friend, Don Juan. Byron also was frustrated with the modern Greeks, particularly in contrast to their classical forbears. Again, Harold is the point-of-view character but seldom becomes involved in the actual events of the story except to reflect on them. Don Juan (Canto 1) Lyrics. © 2020 Houghton Mifflin Harcourt. Again, Harold is the point-of-view character but seldom becomes involved in the actual events of the story except to reflect on them. The poem consists of sixteen cantos although an unfinished seventeenth was in progress at the time of Byron’s death in 1824. Canto II presents Childe Harold’s travels to Greece and Albania. To make it plausible Byron should have gone into much greater detail in showing how it came about Cannibalism among shipwrecked men adrift in a small boat is so rare that the literary use of it demands an adequate background, including sufficient characterization of those who suggest it and commit it. All rights reserved. There might be one more motive, which makes two; Alfonso ne'er to Juan had alluded, — Mention'd his jealousy but never who Had been the happy lover, he concluded, Conceal'd amongst his premises; 't is true, His mind the more o'er this its mystery brooded; Don Juan stood, and, gazing from the stern, Beheld his native Spain receding far: First partings form a lesson hard to learn, Even nations feel this when they go to war; There is a sort of unexprest concern, A kind of shock that sets one's heart ajar: At leaving even the most unpleasant people And places, one keeps looking at the steeple. Don Juan (Canto 5) Lyrics. Consider the final merging into the river representing death which is a natural process makes us one with the creator. His parents are Don José and Donna Inez. In the interests of variety and unity, he might have ended Canto II with Stanza 110, where Juan, who has barely escaped with his life, falls unconscious on the shore of an island. One of the four men is snatched away by a shark; two, unable to swim, drown; but Juan, with the help of the oar, is able to crawl up on the sand and there collapses, unconscious. After the cynical comic brilliance and mocking commentary on marriage in Canto I, Canto II may disappoint some readers. The ideal city of his classical education was strewn with the damaged and worn out shells of formerly glorious buildings. As it is, Juan, whom we saw at the close of Canto I fleeing naked, a rather ridiculous figure, from one illicit love, is thrown, almost naked, into another illicit love, in the last part of Canto II. Haidée's father is Lambro, a Greek pirate, who has built a palatial home on the Aegean island on which Juan has been cast up. Juan's parents did not get along well with each other because Don José was interested in women rather than in knowledge and was unfaithful to Donna Inez. I want a hero: an uncommon want, When every year and month sends forth a … Stanzas 95-96 turn to more specific mourning of the loss of Byron’s good friend John Edleston. When hunger begins to gnaw again, they kill and eat Juan's old spaniel, which he had rescued. Don Juan was born in Seville, Spain, the son of Don José, a member of the nobility, and Donna Inez, a woman of considerable learning. Don Juan is a long narrative poem by Byron, based very loosely on the legend of the evil seducer, Don Juan. The poem consists of sixteen cantos although an unfinished seventeenth was in progress at the time of Byron’s death in 1824. The most mourned of these losses is John Edleston, with whom Byron had shared an intimate relationship at school and for whom his affections had continued into manhood. We see the process taking place before our eyes. Because Haidée's father would sell Juan as a slave, Haidée does not dare take him into her house to recuperate but keeps him in the cave and brings him clothing, furs for a couch, and a daily supply of food. Chapter Summary for Lord Byron's Don Juan, part 2 summary. Byron substitutes disaster at sea for disaster in marriage, but in the end brings the canto back to the main subject of Canto I, namely, love. As Juan has no experience on shipboard, he promptly becomes seasick. The current and the prevailing wind carry the longboat swiftly toward land, and when they strike a reef the boat overturns. CANTO THE FIRST I want a hero: an uncommon want, When every year and month sends forth a new one, Till, after cloying the gazettes with cant, The age discovers he is not the true one; Of such as these I should not care to vaunt, I 'll therefore take our ancient friend Don Juan— We all have seen him, in the pantomime, Sent to the devil somewhat ere his time. Unbelievably, Byron's publisher almost baulked at this feast of allusive irony, blasphemy (mild), calumny, scorn, lesse-majeste, cross-dressing, bestiality, assassination, circumcision and dwarf-tossing. These men, too, are bloody in their demeanor and celebrate their lives violently, yet with great enthusiasm. The ship sinks in a storm and Juan ends up on a longboat with a bunch of men. He holds himself stoically aloof from her proffered love (stanzas 30-35). Juan, captured by Turkish pirates and sold into slavery is bought by a beautiful Princess as her toy-boy. Are you sure you want to remove #bookConfirmation# Byron was infatuated by Constance’s beauty and inflamed to passion by her status as seemingly unattainable (she was married, after all) and politically volatile (she had been arrested by Napoleon for unknown reasons and escaped with the help of another would-be suitor). Canto II presents Childe Harold’s travels to Greece and Albania. Even though the crew takes in sail, the rough seas tear away the Trinidada's rudder, and the pumps have to be manned, for the ship has sprung a leak. Byron's treatment of Haidée is quite different from his treatment of Donna Julia. Stanzas 29 and 30 specifically connect the Calypso of The Odyssey by Homer to the woman “Florence,” actually Constance Spencer Smith, wife of the British minister at Stuttgart and with whom Byron had a torrid affair in 1810. In stanza 84 he seeks to rouse them, but later he is forced to mourn the loss of truly heroic men who would defend Greece against both political and cultural incursion. From delicacy to Don Juan's ear, To whom she knew his mother's fame was dear. Canto II is actually kind of important, and it's different from Canto I. Juan is on a ship sailing for Italy. "The Prisoner of Chillon," stanzas VIII-XIV, Read the Study Guide for Lord Byron’s Poems…, An Explication of Lord Byron's She Walks in Beauty and Christopher Marlowe's The Face That Launched a Thousand Ships, Byron, Keats and Coleridge: The Poetic Masters of the Romantic Period, Psychology of Imprisonment in "The Prisoner of Chillon", Tortured Knights: Eliot, Byron, and Browning, View the lesson plan for Lord Byron’s Poems…, Bibliographical Note to 'Hours of Idleness and Other Early Poems', Bibliographical Note to English Bards and Scotch Reviewers, View Wikipedia Entries for Lord Byron’s Poems…. From Canto I. LIV. Chapter Summary for Lord Byron's Don Juan, part 8 summary. He notes Socrates as Athens’ “wisest son” and conveys the loss of ancient wisdom from everyday life. Don Juan Canto 8 October 13, 2017 September 24, 2017 ~ D. J. Moore When we last left off, Don Juan and his friend John Johnson had just joined the Russian army to fight against the Turks in The Battle of Ismail. The Don Juan legend. For twelve days she refuses food, clothing, and change of surroundings. In a series of stanzas he describes the festivities of Ali Pacha’s mixed band of warriors, creating a parallel scene to the Spanish revelries of canto I. This free poetry study guide will help you understand what you're reading. Childe Harold's Pilgrimage is a long narrative poem in four parts written by Lord Byron.The poem was published between 1812 and 1818. Lord Byron derived the character, but not the story, from the Spanish legend of Don Juan. Juan is chained to a female singer but the sight of her reminds him of Haidée. Elgin represented British indifference or apathy to the plight of the Greeks, as well as a form of cultural parasitism Byron despised. They chat for a while about where they come from and where they might be going (gulp, as slaves). Stanza 95 eulogizes Edleston in ambiguous terms (Byron had after college distanced himself from his beloved choirboy); he describes Edleston as “gone” (line 1) and yet “bound” to him (line 2), and the “youth” and “affection which do the binding are not clearly defined as either Byron’s or Edleston’s characteristics. Field Marshall Suvaroff, an officer in the Russian army, is preparing for an all-out final assault against the besieged fortress. Only thirty-nine, Don Juan and his tutor among them, manage to save their lives. Byron contrasts the present occupation of Greece by the Turks (and English treasure-hunters) with the past glories of Greek civilization in order to draw an even sharper contrast between the situation in his day and the situation as Byron thought it should be. The men in the longboat manage to keep it afloat and even rig up a sail and mast out of two blankets and an oar. A sudden squall lays the ship over on its beam ends. GradeSaver, 31 December 2011 Web. Poem Summary. Even as he is angered by the invaders, he acknowledges that generations of oppression have made the noble Greeks too prone to subservience to rise up of their own accord at present. In spite of this, they might have cast lots again had they not succeeded in catching three sea birds and had it not rained for the first time since the ship sank. Lord Byron's Poems essays are academic essays for citation. Byron, however, changes the focus and paints Don Juan as a figure who is easy prey to women’s romantic advances. Lord Byron derived the character, but not the story, from the Spanish legend of Don Juan. Bookmark this page Canto I Don Juan was born in Seville, Spain, the son of Don José, a member of the nobility, and Donna Inez, a woman of considerable learning. She didn't think at all, in fact, and so as a mirror of humanity is far less interesting than Donna Julia, for whom the reader can feel pity because she was trapped in a loveless marriage. Byron provides a profile of each member of the opera company as well as the beauty and importance of poetry. In English literature, Don Juan (1819–24), by Lord Byron, is a satirical, epic poem that portrays Don Juan not as a womaniser, but as a man easily seduced by women. The sequel to these events is that Donna Julia is sent to a convent and Don Alfonso sues for divorce. resource to ask questions, find answers, and discuss the novel. bookmarked pages associated with this title. Almost all in the boat commit cannibalism except Juan and three or four others. The sexual content raised eyebrows, but they were a big hit - maybe they were helped by the sexual content, really; sex sells, even then. Don … The island idyll in Canto II in its realism and detailed description commands the reader's keenest interest. When Juan has recovered his strength, Haidée gives him lessons in Greek, a language Juan knows nothing of, by pointing and repetition. Don Juan was born in Seville, Spain. In stanza 97 he claims to turn to revelry in order to forget his sorrows, but in stanza 98 he reflects that getting older has its own curse: the longer he lives, the more people he loses. At length, when only four are left alive, land appears but the coast is steep and rocky. From mourning the ancients, the poet turns to mourning his own contemporary and friend, John Edleston, in stanza 9. eNotes plot summaries cover all the significant action of Don Juan. It is ugly and may have been put in to shock rather than to show how men may behave adrift in a small boat without provisions. From these sources he got the cutting away of the masts to right the ship, the effort of the sailors to get at the liquor supply, some of the sailors lashing themselves in their hammocks, the dog, the cannibalism, the choice of a victim by drawing lots, bleeding the victim to give him an easy death, the rain shower, the capture of the sleeping turtle, and other details. Gordon, Todd. Young Juan now was sixteen years of age, Tall, handsome, slender, but well knit: he seem'd. Dedicated to "Ianthe", it describes the travels and reflections of a world-weary young man, who is disillusioned with a life of pleasure and revelry and looks for distraction in foreign lands. The poet then describes the manmade beauties and history of Albania, and stanzas 50-52 turn to the greater grandeur of Nature itself. In stanzas 87-92, he turns to nature as the more enduring beauty of Greece and suggests that this still-present splendor stands as a reminder of what is at stake. Canto II presents Childe Harold’s travels to Greece and Albania. Without a rudder, masts, or sails, and leaking so badly that the pumps are useless, the ship lies rolling helplessly in the trough of the waves and at length begins settling by the head. To Byron, this looting of the ancient world was another form of oppression, as the forces of the present ravaged the civilizations of the past. Find a summary of this and each chapter of Don Juan! Childe Harold's Pilgrimage, Canto III Summary and Analysis, Childe Harold's Pilgrimage, Canto I Summary and Analysis. On the twelfth day she dies, and with her dies Juan's unborn child, "a fair and sinless child of sin." An admirer of the Classical world, Byron was saddened by the dilapidated condition of the Greek ruins he visited and enraged at the vandalism he perceived that outsiders—particularly the British Lord Elgin—were committing in taking the architecture and statuary out of Greece for display in their home countries. Active, though not so sprightly, as a page; Canto II is divided into five general parts: (1) a transitional beginning by means of Juan's seasickness; (2) the storm and shipwreck; (3) existence in a small boat after the ship has sunk; (4) Juan's arrival on an island in the Aegean Sea and the swift development of a secret love affair between him and Haidée, the only child of a wealthy Greek pirate, smuggler, and slave trader; and (5) a "philosophical" concluding section on love, conceived of as one of the main sources of both pain and pleasure in this world. She arises and flies at everyone in sight as at a foe. In English literature, Don Juan, by Lord Byron, is a satirical, epic poem that portrays Don Juan not as a womaniser, but as a man easily seduced by women. Bandits prevent him from departing the way he had come, so Childe Harold and a band of men from Suli travel through the forest. When amatory poets sing their loves In liquid lines mellifluously bland, And pair their rhymes as Venus yokes her doves, They little think what mischief is in hand; Here ends this canto. I want a hero: an uncommon want, When every year and month sends forth a … Byron turns briefly from mourning the loss of the classical world to mourning a more personal loss, that of his recently deceased friend John Eldeston (stanza 9). Stanzas 11-15 accuse Elgin of cultural robbery in no uncertain terms. Harold returns to his ship in stanza 55 to be storm-tossed onto the shores of Suli, whose reputation bodes an ill reception for Harold. Juan's parents did not get along well with each other because Don José was interested in women rather than in knowledge and was unfaithful to Donna Inez. (St. 204). "Lord Byron’s Poems Childe Harold’s Pilgrimage, Canto II Summary and Analysis". Stanzas 1 and 2 invoke the Greek goddess Athena as a new Muse this time, which becomes more poignant when Byron reflects on the state of Athens and Greece’s physical past. In stanzas 10-15 Byron describes and decries the “plunder” of Grecian artifacts by outsiders, particularly Lord Elgin of England. Some of the crew manage to get the cutter and the longboat off the ship and to salvage a little food and drinking water. Canto II is divided into five general parts: (1) a transitional beginning by means of Juan's seasickness; (2) the storm and shipwreck; (3) existence in a small boat after the ship has sunk; (4) Juan's arrival on an island in the Aegean Sea and the swift development of a secret love affair between him and Haidée, the only child of a wealthy Greek pirate, smuggler, and slave trader; and (5) a "philosophical" concluding … These include Molière’s play Dom Juan, ou Le Festin de pierre (1665), Mozart’s opera Don Giovanni (1787), Lord Byron’s unfinished poem Don Juan (1819–1824) and George Bernard Shaw’s Man and Superman (1903). The other boats have been stove in during the storm. Of particular biographical interest are Byron’s closing stanzas to this canto. When Juan comes to, he finds that he is at sea, and a slave. Stanzas 17-28 describe in detail the ship upon which Harold sails, as well as tracing his progress through the Mediterranean. Here Byron includes a translation and paraphrase of an actual warrior song. Copyright © 1999 - 2021 GradeSaver LLC. His heart is broken.... he is forever changed. Don Juan travels to the Spanish town of Cadiz to get on a boat and leave Spain altogether. Part 5 of Don Juan begins slowly. Haidée's case was not at all similar. Byron seems to have forgotten these suitors and all they imply, when he writes in Stanza 190: Haidée spoke not of scruples, asked no vows,Nor offered any; she had never heardOf plight and promises to be a spouse,Or perils by a loving maid incurred;She was all which pure ignorance allows. As a realistic presentation of a love affair between two young people whom we see gradually falling in love with each other, there is nothing quite so good as it in English literature before Byron. Stanzas 88-89 describe ancient Greek battlefields, again returning to the theme of grief over the loss of past grandeur and over the present blight. 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